The tickle of curiosity. The gasp of discovery. Fingers running across the keyboard.

The tickle of curiosity. The gasp of discovery. Fingers running across the keyboard.

The World of Iniquus - Action Adventure Romance

Showing posts with label Lexi Sobado. Show all posts
Showing posts with label Lexi Sobado. Show all posts

Sunday, August 25, 2013

Human Memory and Eye Witness Accounts - Information for Writers



______________________________________________________
                                                                                    

Excerpt from WEAKEST LYNX -


     “Wilson’s stable. In police custody at Suburban. He’s being charged with breaking and entering with intent to harm, and possession.”
     I waited for the rest of the charges.
     Striker pursed his lips.
     “Wait. What about six murders and an attempted murder?” My voice squeaked.
     “The D.A. is having trouble putting together a case. The original six were linked to you by the MO. We have no evidence. None. Though they’ve been working on developing the case since your attack.”
     “But what about me? I saw him. The neighbors saw him. We confirmed the police sketch. Surely…”
     “Subsequent to seeing him, you sustained a traumatic brain injury. The defense can shred your eye-witness report on the witness stand. Same with the neighbors. They were running in the dark. Could be a look alike. There were no prints, no DNA, no motive linking you two. They need something more or they can’t make the case.”


THE INNOCENCE PROJECT "Many wrongful convictions overturned with DNA testing involve multiple causes: 75% involve eyewitness misidentification... Prosecutorial misconduct, ineffective defense, police misconduct and racism are harder to quantify but were also factors in many of the wrongful convictions that have been overturned with DNA testing." 

75% of wrongful convictions involved eyewitness misidentification? How is this possible?

The first thing that needs to be understood about memory is that humans do not process events like a video recorder. We process information based on focus, intensity, and past experiences. 

All of our individual past experiences form "schema" in our memory banks. As we encounter information our brain looks into its schema-files and develops an understanding based on what it has experienced before.
When one remembers an incident the various past schema can overlap and mingle. The witness memory can be crystal clear - but it might not be the reality of what took place.


The dorsal stream (green) and ventral stream (...
 (Photo credit: Wikipedia)

The Four Types of Memory


* Cognitive - These are sequences and patterns.
* Motor Vestibular -Body memories such as
   playing a instrument or driving a car
* Emotional/Affective - These are memories of
   feelings like grief and fear.
* State - These are memories from the senses. State
   memories seem to be the most helpful in developing
   a  clear picture of what occurred. PTSD plays from
   this memory - a certain smell or noise can trigger a
   physical reaction. Auditory memories are less reliable than visual
   memory. But  as a plot twist, an author should understand that
   witnesses are more confident in what they hear than what they
   see.

The Stages of Memory 




''Note that in this diagram, sensory memory is...
 (Photo credit: Wikipedia)
* Short Term - Unimportant data that is processed in the now. If
   the brain deems something to be important it moves the
    information into long term memory.        
* Long Term - Can be retrieved from past events. One's ability to
   recall depends on how information was processed. Processing
   depends on which of the four types of memories or which
   combination were used to interpret and "cluster" (this is basically
   a filing system).

The more significance-in-the-moment and the more types of memories involved create the clearest and most accurate memory picture. As a writer, think about your character. As she remembers something, which of her memory types is she using? For example, does she cognitively recall the fear that slowed her sequence of her actions when she smelled the smoke? Could she be making a profound mistake because she clustered the schema and now has a faulty memory? Did she remember the man saying, "I will kill you!" when she was really merging the event with a nightmare she had had just the night before?  

Remember that no two people could ever remember an event from the same perspective. It's just not possible. What if your characters had completely different memory schemas of an event? Wow - all hell could break loose!

VIDEO QUICK STUDY - (9:02) FALSE MEMORY AND EYEWITNESS TESTIMONY                                             interactive, very interesting!

So we know that people will perceive with four different kinds of memory. They will either store in their long term memory, or not. They will develop a schema based on their past experiences and cluster these in their memory banks. But what are some of the components that might interfere in a clear and accurate memory? 

A list of possibilities:

* Beliefs
Animation of the structure of a section of DNA...
Animation of the structure of a section of DNA. The bases lie horizontally between the two spiraling strands. (Photo credit: Wikipedia)
* Stress levels
* Cross Racial Identification Bias
   Brains are wired to identify distinctions in our own
   race but NOT other  races. 
* Distinctive Aspects - People will remember
   particularly attractive or especially unattractive
   physicality better than "average" looks.
* Age of Witness - Children and elderly are less
  accurate and their descriptors might be different as
  well. Example: to a five year old "really old" could
  mean someone who is in their thirties.
* Gender - Men and women remember different
   aspects because of how their brains are wired. A
   man, for example, might remember the make and
   year of a car while a woman might remember that
   it was blue.
* Profession - Ex. an artist might have a better ability
   to recall the face structure while a physical
   therapist might notice a posture or unusual gait.    
* Drug or Alcohol Use
* Head Trauma - As in the excerpt from Weakest
   Lynx
* Weapons Focus Effect-If there is a weapon present
   the witness focus remains on the weapon (duh) and
   not on anything else in the environment.
   (LINK - Blog about my experience as a eye witness
     in a simulation)
* Attention - A victim or bystander will pay more
   attention to details if they are aware of what is happening
   than someone who is not aware that something is going on. Even
   if the witnesses are very attentive and good with faces, it is hard
   to find the words to describe a person. Try this experiment - think
   of someone you know very well, now try to describe out loud
   their features so that someone could draw them
   (Witness recall and Police Sketch Artists)
* Setting - Full day light, face full on, length of time of incident
   and time when recalled. 20 min can cause a sharp decrease in the
   number things that can be remembered.
* System Variables - These are police and legal procedures that
   can introduce bias.

In the 1977 Supreme Court decision in Manson v Brathwaite (Information Link)  - It was determined that eyewitnesses are allowed to testify if they are very sure of testimony. If they are unsure it is up to the judge in the case whether to allow or not. Psychological studies have shown that the degree of certainty does not correlate with accuracy. 

Many countries realized that innocent people were going to jail based on false witness memory - remember the witnesses can be 100% sure of themselves. They are not in any way "bad"; it is the way that memory works that makes eye witness testimony so very difficult. In 1999, Janet Reno was tasked with trying to develop procedures to help prevent some of these false-memory reports.

If your book takes place AFTER 1999, it should reflect these changes:

* Police ask open ended questions. Instead of asking, "Did he have
   a gun?" thus planting the memory of a gun, the police should ask,
   "Do you remember a weapon of any kind?"

* Police should pause before asking another question, giving the
   witness a chance to think about a situation and perhaps remember
   another detail - This is one I used a lot in my counseling practice:
   Ask. Answer. Wait.

* The police should inform the witness that they can say, "I don't
   know." This helps to prevent the witness from trying to fill in the
   blank with information that is being pulled from a different
   schema.

* The police, when possible, should physically walk the witness
   through the crime scene. This might trigger memories from the 
   "state" memory bank.

* Careful use of Police Lineups - A line up, either in person or with
   photos, should be done in a double-blind scenario. The officers 
   who are conducting the lineup should not know who the suspect
   is. This stops the voice inflection and body language tells that are
   picked up by the brain of the witness ex. "Are you sure that's the 
   right guy?

  VIDEO QUICK STUDY of Line Up Experiment (1:45)
         spoiler - none of the photos were of the criminal
  VIDEO QUICK STUDY - Line Up and False Memory (4:35) The
         students were extremely sure of
         themselves and would have, under the Supreme Court ruling, 
         been allowed to testify. Watch their faces
         as every single one of them realizes that they were wrong.

Relative Judgement - when a witness tries to pick the person who most closely aligns with the memory of that person. To prevent the witness from feeling that they HAVE to make an identification the officers should say that the subject MAY or MAY NOT be in the lineup. Also, the members in the lineup should be presented sequentially one after the other and one at a time. Witness will compare the suspect to the mental picture and not use relative judgement.


        
Fillers - the other people in the line-up should look similar. If         the suspect had dreadlocks then the fillers should have dreadlocks. If the witness picks a filler, then it should be noted that their recall
might be questionable. 

         VIDEO QUICK STUDY Comparing with Filler (3:00)
         Shown through an experiment and description

How can your heroine help?

During a crime the heroine could look for anything that is unique and difficult to shed or change such as:
        * Body-type (height, weight), tattoos, scars, focus on ears and
           nose.
        * Movement - limps, postures
        * Voice - lisps, unusual accents or speech patterns

As soon as possible - and without talking to ANYONE ELSE the heroine should sit down and write down all of  the details that she can recall - She could write them, sketch them, or even call and leave a message recording so she can retrieve the information later.

Try this mini-experiment:  Eye Witness - How Do You Stack Up?




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Sunday, August 4, 2013

Flight Club - Interview with Author/Pilot Wayne Epperson

____________________________

Fiona- 
Hi there!

Wayne -
Good afternoon.

Fiona -
It's pouring down rain with some magnificent thunder here - how are things in Texas?

Wayne - 
The heat index is going to hit 104 or so. Hot and dry.

Fiona - 
As a Canadian girl, can I just say that I only go visit my in-laws down in Longview at Christmas for a reason? So you're dry and hot - LOL what else should my blog readers know about you, Wayne?
Map to indicate Texas for my non-American readers

Wayne - 
Not much interesting to tell. Former U.S. Marine, long-time newspaper editor, private pilot, author of two crime fiction books with a third one due out in October.

Fiona
Now see, when you say, "not much interesting to tell" - I think you're going to drone on Babbitt-like about your work-a-day life, and then you sound like the heart-throb in a Texas western.that okay? 

Wayne - 
Getting up off the floor and dusting myself off. I wasn't expecting that.

Fiona -
Ha! Well today we're talking about flying.
What makes you crazy to read about planes or plane crashes that is just flat out wrong?

Wayne -
When someone says, "the plane just fell out of the sky." That doesn't happen. There's a sequence of failures, man-made or mechanical or both, that take place before a plane crashes. Here's an example:
A pilot approaching an airport to land turns from downwind to base and fails to maintain proper airspeed will likely stall the aircraft when banking to final approach. That stall leads to a spin too close to the ground to recover a safe altitude. The end result is the aircraft noses over and crashes. To a witness on the ground, it might look like the plane just fell out of the sky.

Fiona- 
And to the pilot it looks like his life is flashing before his eyes?

Wayne - 
No, he probably left a big smoking hole in the ground. Lights out.


VIDEO QUICK STUDY 747 Falling Out of the Sky (1:09)

Fiona - 
Have you ever had a close call?

Wayne - 
Not really close, but one time the engine cut out when I reduced power at altitude after takeoff. I simply pushed the throttle full forward, the engine returned to life, and I landed that sucker as fast as I could.


Fiona
Bravo!

Wayne -
The mechanic was happy to have the business.

Fiona -
Ha! Okay since you brought up plane crashes. It was posted on
a writers' board recently that an editor was insisting that the author have a huge fire in the cockpit after the plane crashed. Can you weigh in?

Wayne -  
Fire is the most feared thing for a pilot. Because, in flight, the oxygen from the rushing air will fan the flames. A pilot faced with that emergency will seek to land quickly. Following a crash, there could be a fire in the cockpit.

I recall a local training flight in the Dallas area where the student pilot, who was accompanied by an instructor, was forced to land because of mechanical failure. He chose to land in a plowed farm field, the fuel line ruptured spilling gasoline on the heated engine, and a fire ensued. They escaped with major burns.

Fiona - 
Wow! Horrific! Good for them escaping. I guess now they have a great bar story if that's any consolation.

Wayne - 
The aircraft was a four-seat trainer. The airlines are a different story. They have so many safety systems and redundant systems that make a cockpit fire less likely. 
What do you fly?

Wayne- 
I fly single-engine land puddle jumpers.



Fiona - 

And does Frank Knott from Crime and Corruption in Texas fly as well?



LINK to Crime and Corruption in Texas


Wayne - 
No, but his former Marine Corps buddy did.

Fiona - 
This is the one who was a good -guy turned not so good guy?

Wayne - 
And he did a lot of bad things behind the control wheel of a powerful Cessna twin-engine hauler.

Fiona - 
Would it be giving away too much if I asked what he was up to?

Wayne - 
Let's just say he was in a sort of pharmaceutical business. 

Fiona - 
LOL okay we'll go with that. What made you decide to get your pilot's license and can you tell us what it takes in terms of study and practice?

Wayne - 
I tried to be a pilot in the Marines, but was disqualified because I am partially color blind, a condition not uncommon for men. The Navy frowns on pilots not knowing which colors are which when they are told to "call the ball" on approach to an aircraft 
carrier deck. 

I finally scraped up the money to pay for my training as a civilian
private pilot where the color restrictions are not so severe. 

It takes a minimum of 40 hours of training before a student pilot can take a check ride with an FAA licensed examiner. It took me
something like 50 hours, which included a solo cross-country flight to an airport about 90 miles away. What did my training cost? I will
never put that number in writing.

Once the check ride is passed, the new pilot then really begins to learn what it means to be a pilot. The lessons never end. 


I just thought of another situation that is irksome.


Fiona -
Yes, please.

Wayne - 
Many fatal accidents of small aircraft involve bad weather. 

There was a case in East Texas a year or so ago where a family
of four was wiped out in a crash because the pilot father flew into
weather he was unable to navigate. He was not instrument rated
(trained to fly in the clouds) and his plane was not capable. 

That was a classic case of pilot error.


Fiona - 
Thank you - that makes sense. And from what my husband tells me of Texas weather, it can be unpredictable and violent.


Wayne - 
He's right. Another pet peeve is the writer being too lazy to research the type of aircraft involved in whatever kind of story. Too many times the reference is simply, "a Cessna private plane crashed." And the aircraft was a Bonanza. That drives a pilot nuts ... if he isn't already there.

Fiona - 
Ha! In my book, MISSING LYNX, I got to go to the airport and get on all the small planes to figure out which one I wanted to steal - I mean my character wanted to steal. Apparently, plane theft isn't all that hard to do.

Wayne - 
All airports have signs posted about reporting suspicious activities in and around the hangers or the tie-downs. Aircraft theft is a big business.

Fiona - 
Well, they are darned expensive. This is the part of the interview where you have a decision to make.

     1) You can tell me about your favorite scar. 

Or 2) you can tell me about your upcoming book.

Or 3) you can do both. 

Wayne - 
Frank Knott walked away from "Chasing Bad Guys" with a memorable scar, but we don't want to describe it here. 

The third book in the series is entitled "EPIC Justice." Frank goes
undercover at the El Paso Intelligence Center to find out who has been tipping off a powerful crime syndicate about smuggling opportunities on the border. Readers will be urging Frank to quit and go home, but there's no back up in this former Marine.

Fiona -
I'm posting a picture of your plane. 




Wayne at the controls of his Piper Cherokee 5398W

Wayne - 
I sold my plane. :'(

Fiona - 
Oh, now that's just pitiful. LOL. COWBOY UP!

Wayne - 
Your husband's from Texas? How did you end up in D.C.? And how's the ankle?

Fiona - 
Ah, the reporter in you is turning the tables. I wondered how long 
it would take. Thank you so much for being a guest here on ThrillWriting.

Wayne - 
Take care ... As pilots always say, "Good day."

Fiona - 
Why do they say that and not "sunny skies" or "safe landings"?

Wayne - 
Good day covers it all ... 




Thank you so much for stopping by. And thank you for your support. When you buy my books, you make it possible for me to continue to bring you helpful articles and keep ThrillWriting free and accessible to all.

Monday, July 29, 2013

Police Sketch Artists - Drawing on Witness Recall


___________________________________________________________________________________



There on the TV screen, I saw the rendering of my attacker. The life-like drawing stunned me. With eyes fixed on the picture, my heart staggered drunkenly around my rib cage and panic twisted my lungs. Stalker leered down at me, a big man of mixed racial background with almond-shaped eyes and a flat nose over a wide full mouth. Two scars disfigured the left side of his face -- one ran from his nose to the corner of his lip, and another ran from his eye to his chin. On the right side, he adorned himself with a tribal tattoo that showed black against his light brown skin.
 - WEAKEST LYNX

Your heroine survived the attack. She's sitting in the police station, drinking the swamp water they call coffee from a Styrofoam cup. A police artist takes your heroine down a long, echoing hallway to a quiet office. What will your heroine encounter?

The Police Artist's job is to make a rendering called a COMPOSITE SKETCH to be used to apprehend and possibly help convict the criminal.
  
* Ideally, the artist has a combined background in police work/criminology, art, and psychology.
* The room will probably have a comfortable chair for the witness. It will be void of face images - no art, or
   wanted posters or any other image that might subconsciously impede a good witness report.
* The artist will sit off to the side so the artist's own face doesn't get confused with the memory.
* The artist usually starts with open ended questions while making the initial rendering, "Tell me about the
    shape of his jaw line?" Then the artist shows the sketch to the witness. At that point, specific questions are
    asked. "Are his eyes the right distance apart?"
At the end of the interview the artist signs and dates their work – in case the composite sketch ends up in
   court as evidence.
* The process will last 1-2 hours

VIDEO QUICK STUDY (7:24) - An artist at work and his interview techniques

One of the first questions that the artist will ask is about race. The reason for this is not to determine the skin color but the underlying bone structures (skull shape and facial geometry). There are three main bone structure families
*Caucasoid
* Negroid
* Mongoloid
(There is also Aboriginal, which does not anthropologically fit into these three categories)

Next they will be asked about the age. The differences in bone structure shifts are most apparent in children, however, in adults the shift comes mainly in skin texture, tone, and thickness.
VIDEO QUICK STUDY (1:28) showing an age progression rendering and discussion of what factors are considered.

And then they will ask about body build.

An author will have to decide whether the witness is a good witness or not. 

The artists need to have good interviewing skills including an understanding of memory and how trauma effects it (more about this in next week’s blog). The goal is a quality representation of the suspect with an emphasis on forensics.  LINK to blog article about witnessing in F.A.T. Simulation 
* Does your witness have good eye sight?
* Are they dexterous at visual processing? Do they have a "memory for faces?"
* Is your witness someone who is detail oriented and paying attention?
* Memories can be distorted by stress
* Cross-racial features can be confusing
* Consider the lighting conditions
* Consider how fleeting the view
* Consider the angle of view

As the author, you will need to decide what techniques your artist will use

1) Interview with Hand Rendering

    From my art classes I learned that:
   * faces are generally not symmetrical
   * the face is generally 5x the width of an eye
   *The width between the eyes is generally the width of one eye
   *The eyes are about half-way down the face
   * the ears and nose are roughly the same height

    It is the artist's job to find where the suspect's facial geometry shifts from the Greek/Classical ideal.
   
    VIDEO QUICK STUDY  (1:10) an artist using a ruler to portion properly while rendering a time lapse
    drawing of a suspect. 

2) Catalog  

Scientists using scanners have found that we spend less time looking at the lower face. Our focus stays on the upper face. And surprisingly, (to me, anyway) less focus on the eyes than the rest of the upper face. The forehead, the hairline, and hair have priority in our memories. So if your character wants to disguise themselves, they should pay more attention to wearing hats and wigs. 

People recognize things more easily than they can recall them. For this reason, science indicates that the benefit of offering photos outweighs the bias that they could produce. So artists have binders that divide the different zones of the face into options from which the witness can choose. FBI facial ID catalog. Also photo albums of tattoos, scars, hats, clothing, and glasses are helpful for witnesses to use in  identification.


VIDEO QUICK STUDY 1 (2:16) Police artist discussing his use of the catalog
VIDEO QUICK STUDY 2 (2:13) Police artist discusses her use of catalog and her interview technique

3) Computer generated

    The pros include:
    * Faster and allow the artists to swap out one feature for another with ease.
    * Less expensive to produce images this way.
    * Easier to e-mail and easier to store

    Examples of this software include:
    * Identi-kit Link to their website
    * Faces Link to their website

    VIDEO QUICK STUDY (4:49) Using FACES computer composite rendering

One of America's foremost police artists is Karen Taylor  Link to information about Karen Taylor

VIDEO QUICK STUDY (2:48) Karen Taylor helping to solve the identity of "Brush Girl." 




Thank you so much for stopping by. And thank you for your support. When you buy my books, you make it possible for me to continue to bring you helpful articles and keep ThrillWriting free and accessible to all.

Monday, July 22, 2013

Bullet Tutorial for Writers


.40S&W cartridge next to expanded hollow point...
.40S&W cartridge next to expanded hollow point bullet. (Photo credit: Wikipedia)
DISCLAIMER - This is a non-political site that is geared to help writers write it right. I am presenting information to help develop fictional characters and fictional scenes. In no way am I advocating any position or personal decision




So things got pretty serious. Guns were drawn; a body sprawls on the ground. What the police find on the scene has a lot to do with what kind of bullet you as the author chose for this plot line.

If you need a tutorial about Step One - choosing a gun click HERE

Once your heroine has a gun in her hand, there are other things to consider. Let's begin understanding bullets and how they impact plot.



THE BASICS


* The bullet is just the top piece of the round - the part that hits the
   target.
* A cartridge or round is the entire component 
   (brass + powder + primer) When the primer is hit by the hammer 
   or firing pin, it ignites the powder in the shell, forcing the bullet 
   in the only direction it can go - down the barrel of the gun.
* The caliber is a measurement of the bullet. (If the bullet has two
   numbers the first is the width of the bullet the second is the
   length of the round.)
* Another way to measure a round is by grain the higher the grains
   the more the bullet weighs - the slower it goes and the deeper it
   will penetrate.



INTERMEDIATE - How to read a bullet box:

Jackets

*Full Metal Jacket (FMJ) - the entire case is encased in metal,
  offering the most penetration through your  target. The base is 
  exposed showing the lead.
*Total Metal Jacket - (TMJ) - The entire case including the base
  is covered
*Semi-jacketed (SMJ)- or just (J) for jacketed - the jacket only
  goes half way up the bullet.


Tips



.22 hollow point     9mm hydro-shock      9mm FMJ round nose/tip


Flat Point - (FP) has a flat tip (pictured below - left)

.
Round Nose - (RN) (below center) - This bullet will not expand in
      size with impact; it will continue on its trajectory. 

      This is an author's decision if she wants the victim to have an 
      exit wound, to die of impact/blood loss, or for the bullet to hit a
      secondary object or person. All of these would could result
      from a RN Click HERE to go to my blog article on Blood
      Spatter.
A cut-through of a hollow-point bullet. The pr...
A cut-through of a hollow-point bullet.  (Photo credit: Wikipedia)

Hollow point -(HP) the tip is hollow. When it hits its

      target it will expand very quickly to almost 3x it's 
      original size. This means that the bullet expresses 
      the power inside of the body, damaging more 
      tissue than a round nose bullet. This expansion 
      also reduces the chance of a bullet exiting the 
      body and hitting someone nearby. This is safer 
      for self defense where innocent people are 
      nearby. This type of bullet creates massive pressure
      and the victim is likely to die of a brain embolism.
      Click HERE to go to my blog article on EMS and
       gunshot wounds.


Video quick study: First Science TV Round Nose v. Hollow Point (2:08)




Author's own picture. 9 mm pistol cartridge

9mm flat tip                     9mm round tip                    9mm hollow tip
 (Photo credit: Wikipedia)



ADVANCED - Information about calibers



Baby Bear

.22 is cheap so it's good for target practice, but has minimal penetration - not great for defense.

Video Quick Study (5:56) This is a little in depth but shows him weighing the bullet (grains) and measuring the bullet for caliber, and also ballistic tests through testing medium.

.25 is used in small pistols it has a big kick - so a lot of recoil.
.32 penetrates a little deeper than a .380 and has less recoil  
.25 for a very small gun this is a good self-defense round


Mama Bear

38s and 9mm are the same size bullet. One is calculated in inches, and one is calculated in metric.The three kinds of 9mm  from smallest to biggest:


.380 Auto vs. 9mm Luger
.380 Auto vs. 9mm Luger (Photo credit: Wikipedia)
.380 and 9mm Short are the
   same (9x17) a little more
   power than the 38 special - 
   goes in a small pistol.
* 9mm Makarav (9x18)
* 9mm Luger is also known on
   the box as a
   9mm Parabellum (9x19)
   These are accurate far
   away, up close they are devastating. At 15 to 20
   feet your character might have to hit a guy 6 times
   to stop him if he's drugged up.
   (This is the bullet I shoot in my Springfield)


This is probably as big a caliber as your character needs. But if you are trying to make a decision between giving your character a 9mm or a .45 here is a good comparison video
 9mm v .45 bullet (17.31)


Papa Bear

.40 is the same as a 10mm. But a 10mm is really a .40 caliber magnum (I'll explain in a second) The .40 does not have the penetration of the 9mm because it is heavier and takes more power to shoot.

.45 is highly effective in dropping the target in one shot.

Video Quick Study: 10mm ammo energy test   (7:28) go to 3:50 mark


Rabid Klondike Mama Bear Protecting Her Young -or-What is MAGNUM?

A magnum round is a high powered round. So for example you can have .22 magnum or .45 magnum
* Lots of recoil
* Painful to shoot
* This is for hunting (a back up when an angry bear is running full
   tilt at the heroine) not usually for self-defense.
* IT IS IMPERATIVE THAT YOU USE A MAGNUM IN A GUN
   THAT CAN HANDLE IT -
   The gun must be designed to handle magnum bullets unless of
   course you want your heroine to put a .44 magnum (name of a
   round) or .44 special (name of a round) and blow her gun apart
   because the gun couldn't handle the pressure.

Popular wisdom says, a bullet shot from any handgun at a distance of three feet will probably stop anyone. Most of the time a civilian is shooting, it is that close in range. Stopping power is not as important to a civilian as it is to a police officer whose range moves out to nine yards. So your gun/bullet choice depends on who is doing the shooting and why.


Sonic v. Subsonic Bullets Shot with a Suppressor - 

Brian Coates, U.S. Marine Corp., veteran

LINK Nottoway Shooting Sports




PLOT TWIST - One thing that I should point out is that just because a bullet will load into the gun, it does not mean that there will be success in shooting it. A particular round might misfire or jam. Once you know which gun is being used, research which bullets work best. Though, this could create a plot twist for you. Perhaps your heroine is new to the gun scene and buys a weapon for self-protection, purchases some bullets, loads it all up and there is a catastrophic failure. She could be hurt instead of the villain.


Image publicly distributed source unknown

VIDEO 1 - Bullet Basics 101 (8:01)





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Monday, July 15, 2013

Choosing a Handgun for Your Character

__________________________________________________________


English: Trigger Double Action Italiano: Grill...
 (Photo credit: Wikipedia)
DISCLAIMER - This is a non-political site that is geared to help writers write it right. 
I am presenting information to help develop fictional characters and fictional scenes. In no way am I advocating any position or personal decision.







Decision One - Why is your heroine carrying a gun?

Target Shooting - chose a gun that
    is comfortable to shoot and the
    ammo is inexpensive.
    (.22 is cheapest)
Conceal Carry - strong enough
     bullet to do the job (higher
     caliber), light enough and small
     enough to conceal on the body.

Home Protection, Back Woods, Zombie Apocalypse
     for all 3, she might want a 
     higher caliber
     (bigger bullet - .357, .44) to
     protect against large animals
     such as bear or werewolf.

This is a picture from one of my target practices with a Springfield 9mm XD-S/20 feet/32 bullets.



DECISION TWO: There are two kinds of handguns - the revolver and the semi automatic



English: Enfield No. 2 Mk I* revolver produced...
 (Photo credit: Wikipedia)

Revolver

The revolver gets its name from the barrel that must revolve forward to bring the next bullet into play.

The industry standard is a six-bullet cylinder.

If the villain is using a revolver then your heroine can count bullets and has a window of opportunity when he has to reload.

Now choose:
Single action - your character will have to cock the gun before she can pull the trigger. This slows down her firing ability.
Double Action - every time your character squeezes the trigger it will pull the hammer back and fire


PROS

* Extremely simple
* Point and shoot
* They fire every time - if they fail to fire in an emergency situation
   simply continue to pull the trigger and the cylinder will continue
   to rotate and prepare the next round
* Easier to clean and maintain than a semi-
* Can be left loaded without issue


CONS

* Smaller capacity than a semi
* No recoil spring to help you with recoil action - the shooter's hand
   takes the recoil. This HURTS so, in my opinion, not a great gun
   for target practice but okay for emergencies.




 (Photo credit: Wikipedia)

Semi-automatic

A semi-automatic fires the bullet in the chamber, extracts it, ejects it, and loads a new round


PROS 

* More control than a revolver
* More comfortable to shoot because of the recoil spring
* Higher capacity (holds more rounds)
* Quicker to reload


CONS

* Not as simple as a revolver: there are more parts such as the
   magazine release and the slide release.
* Not necessarily as reliable because they can jam occasionally. 
   The character would have to clear the jam before she could
   continue shooting.
* Must take apart to clean and maintain
* If you leave your gun loaded for a long time the magazine springs
   can become compressed so one should not leave it loaded (or just
   replace the magazines every once in a while). But this might 
   be a reason for a complication in your plot.

Semi- automatic video quick study (6:15)


DECISION THREE - What is the gun made from?

This mostly has to do with weight - how carry-able is it? How accurate is it? How much can your heroine handle?

Three Most Common Materials

Steel and Polymer (around 26  oz.)
Steel and Aluminum Framed (around 32 oz)
Full Steel ( around 40 oz.)


DECISION FOUR - Safety or no safety?

With a safety on, even if there is a bullet in the chamber, squeezing the trigger will not produce a shot. This might pose a problem for your character if her adrenaline is flowing, her brain isn't functioning, and she can't figure out why the bad guy is still attacking her.

Without a safety - her shot is quicker. However, accidents can happen. Would this advance your plot?

DECISION FIVE - Is this a good fit for your character?

* How big are her hands? (check grip size on gun)
* How strong is she? (check weight)
* Can she take the recoil? (a revolver might put her on her butt and
   that might be where you want her)
* What capacity (how many bullets does she need to do the job? 
   Or fail at the job?)
* Reloading (How fast? How many times? How successful?)
* What caliber of bullet does she use? Bullet tutorial

I would suggest that after doing some research and making some initial decisions, that you go by the gun store and hold the gun that you think your character would use. I have very small hands and some guns are just too large for me to grip properly. Glocks for example have HUGE grips and are not great for small hands reaching the trigger. Blog entry of me shooting a Glock at a F.A.T.S. demo CLICK HERE

I shoot a Springfield 9mm XD-S for comfort, and accuracy in range shooting and home protection. It fits my small hand, is a good weight and size, and I can use extended clips to increase my capacity. The trigger pull is about 6 lbs. which is easy enough for my strength level. 26 oz. Though pretty difficult for me to field strip (open it up to fix a problem). Small enough for concealed carry. 
Excellent overview of the XD (8:36)

While I write my blogs from the perspective of the heroine, my friend at Confidential Resource thinks you should note:
Hand size is not a gender issue. Handguns are all about the shooter's hand size. Hand strength is also an issue as most people don't work with their hands today. However, hand size is the most critical issue.

The reason it is so important is that the pistol barrel must align with the forearm to enable accurate controlled fire. To line-up with the forearm the tips of the second and third fingers must press on the side of the grip opposite the palm. Without this, you will not be able to acquire or maintain a proper firing grip. For people with small hands, this means a narrow front-strap that is well rounded--think 1911, P220, or perhaps the SR9 pistols. Of course, the reach to the trigger face is also an important consideration.

For concealed I like:
Sig Saur P238 Copperhead (video 1:38) It is easy to conceal (.380ACP caliber). It hurts to shoot. Watch your character's grip - the gun is so tiny she might get her hand over the barrel/slide.

I also like the Ruger LCP and the Kel-Tec P3AT Ruger and Kel-tec (video 8:38) The Ruger LCP is what Kelli carries Women Carrying Concealed blog entry

A COUPLE OF HOUSECLEANING ITEMS:

Did you know?

When you have a magazine in your semi it is not considered loaded. A loaded gun means that you have a round in the chamber. Careful when you're writing. If you write that the gun is loaded and then the character racks the slide, then you have made a mistake.

Should the gun be loaded? Talking to experts, the prevailing wisdom says:
Semi- 
   * If the semi has a safety, yes
   * If the semi has no external (thumb) safety then no (remember
      this just means not having a bullet in the chamber) 
Revolver - yes.
Conceal carry? yes.

Confidential Resource: Sources & Methods for the Investigator  (http://www.confidentialresource.com/ @locuscommunis on twitter) explains that:
Experienced shooters always refer to the 'condition' to describe the pistol's state or readiness to fire. A proficient gun handler will usually keep the pistol in Condition One or Four. Institutions that know their people are incompetent will often dictate Condition Three to avoid negligent discharges in administrative handling.
  • Condition Four: Chamber empty, empty magazine, hammer down.
  • Condition Three: Chamber empty, full magazine in place, hammer down (Israeli carry).
  • Condition Two: A round chambered, full magazine in place, hammer down (extremely dangerous, especially with SA pistol).
  • Condition One: With Single Action: a round chambered, full magazine in place, hammer cocked, safety on. With striker fired pistol: a round chambered, full magazine in place, striker at ready position. With Traditional Double Action (TDA), DAO, or LEM: a round chambered, full magazine in place, hammer at ready.
  • Condition Zero: A round chambered, full magazine in place, hammer cocked, safety off.


Best video series I have ever seen on guns is:
MAGPUL DYNAMICS THE ART OF THE DYNAMIC HANDGUN YOUTUBE overview available on Amazon.

And before I leave today can I just add this one little bit of information...? A pet peeve is someone who writes a silent shot with a silencer. Shooting with a silencer removes the sound and light to a distance that makes it easier to shoot without flinch (my target paper is always so pretty when I shoot with a silencer) but it IS NOT SILENT! 



LINK Nottoway Shooting Sports





See how this article influenced my plot lines in my novella MINE and my novel CHAOS IS COME AGAIN.




Thank you so much for stopping by. And thank you for your support. When you buy my books, you make it possible for me to continue to bring you helpful articles and keep ThrillWriting free and accessible to all.