Choosing a Handgun for Your Character

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 (Photo credit: Wikipedia)

DISCLAIMER - This is a non-political site that is geared to help writers write it right. 
I am presenting information to help develop fictional characters and fictional scenes. In no way am I advocating any position or personal decision.

Decision One - Why is your heroine carrying a gun?

Target Shooting - chose a gun that
    is comfortable to shoot and the
    ammo is inexpensive.
    (.22 is cheapest)
Conceal Carry - strong enough
     bullet to do the job (higher
     caliber), light enough and small
     enough to conceal on the body.

Home Protection, Back Woods, Zombie Apocalypse - 
     for all 3, she might want a 
     higher caliber
     (bigger bullet - .357, .44) to
     protect against large animals
     such as bear or werewolf.

This is a picture from one of my target practices with a Springfield 9mm XD-S/20 feet/32 bullets.

DECISION TWO: There are two kinds of handguns - the revolver and the semi automatic

 (Photo credit: Wikipedia)

Revolver - 

The revolver gets its name from the barrel that must revolve forward to bring the next bullet into play.

The industry standard is a six-bullet cylinder.

If the villain is using a revolver then your heroine can count bullets and has a window of opportunity when he has to reload.

Now choose:
Single action - your character will have to cock the gun before she can pull the trigger. This slows down her firing ability.
Double Action - every time your character squeezes the trigger it will pull the hammer back and fire

PROS

* Extremely simple
* Point and shoot
* They fire every time - if they fail to fire in an emergency situation
   simply continue to pull the trigger and the cylinder will continue
   to rotate and prepare the next round
* Easier to clean and maintain than a semi-
* Can be left loaded without issue

CONS

* Smaller capacity than a semi
* No recoil spring to help you with recoil action - the shooter's hand
   takes the recoil. This HURTS so, in my opinion, not a great gun
   for target practice but okay for emergencies.

 (Photo credit: Wikipedia)

Semi-automatic - 

A semi-automatic fires the bullet in the chamber, extracts it, ejects it, and loads a new round

PROS 

* More control than a revolver
* More comfortable to shoot because of the recoil spring
* Higher capacity (holds more rounds)
* Quicker to reload

CONS

* Not as simple as a revolver: there are more parts such as the
   magazine release and the slide release.
* Not necessarily as reliable because they can jam occasionally. 
   The character would have to clear the jam before she could
   continue shooting.
* Must take apart to clean and maintain
* If you leave your gun loaded for a long time the magazine springs
   can become compressed so one should not leave it loaded (or just
   replace the magazines every once in a while). But this might 
   be a reason for a complication in your plot.

Semi- automatic video quick study (6:15)

DECISION THREE - What is the gun made from?

This mostly has to do with weight - how carry-able is it? How accurate is it? How much can your heroine handle?

Three Most Common Materials

Steel and Polymer (around 26  oz.)
Steel and Aluminum Framed (around 32 oz)
Full Steel ( around 40 oz.)

DECISION FOUR - Safety or no safety?

With a safety on, even if there is a bullet in the chamber, squeezing the trigger will not produce a shot. This might pose a problem for your character if her adrenaline is flowing, her brain isn't functioning, and she can't figure out why the bad guy is still attacking her.

Without a safety - her shot is quicker. However, accidents can happen. Would this advance your plot?

DECISION FIVE - Is this a good fit for your character?

* How big are her hands? (check grip size on gun)

* How strong is she? (check weight)

* Can she take the recoil? (a revolver might put her on her butt and
   that might be where you want her)

* What capacity (how many bullets does she need to do the job? 
   Or fail at the job?)

* Reloading (How fast? How many times? How successful?)

* What caliber of bullet does she use? Bullet tutorial

I would suggest that after doing some research and making some initial decisions, that you go by the gun store and hold the gun that you think your character would use. I have very small hands and some guns are just too large for me to grip properly. Glocks for example have HUGE grips and are not great for small hands reaching the trigger. Blog entry of me shooting a Glock at a F.A.T.S. demo CLICK HERE

I shoot a Springfield 9mm XD-S for comfort, and accuracy in range shooting and home protection. It fits my small hand, is a good weight and size, and I can use extended clips to increase my capacity. The trigger pull is about 6 lbs. which is easy enough for my strength level. 26 oz. Though pretty difficult for me to field strip (open it up to fix a problem). Small enough for concealed carry. 
Excellent overview of the XD (8:36)

While I write my blogs from the perspective of the heroine, my friend at Confidential Resource thinks you should note:

Hand size is not a gender issue. Handguns are all about the shooter's hand size. Hand strength is also an issue as most people don't work with their hands today. However, hand size is the most critical issue.

The reason it is so important is that the pistol barrel must align with the forearm to enable accurate controlled fire. To line-up with the forearm the tips of the second and third fingers must press on the side of the grip opposite the palm. Without this, you will not be able to acquire or maintain a proper firing grip. For people with small hands, this means a narrow front-strap that is well rounded--think 1911, P220, or perhaps the SR9 pistols. Of course, the reach to the trigger face is also an important consideration.

For concealed I like:
Sig Saur P238 Copperhead (video 1:38) It is easy to conceal (.380ACP caliber). It hurts to shoot. Watch your character's grip - the gun is so tiny she might get her hand over the barrel/slide.

I also like the Ruger LCP and the Kel-Tec P3AT Ruger and Kel-tec (video 8:38) The Ruger LCP is what Kelli carries Women Carrying Concealed blog entry

A COUPLE OF HOUSECLEANING ITEMS:

Did you know?

When you have a magazine in your semi it is not considered loaded. A loaded gun means that you have a round in the chamber. Careful when you're writing. If you write that the gun is loaded and then the character racks the slide, then you have made a mistake.

Should the gun be loaded? Talking to experts, the prevailing wisdom says:
Semi- 
   * If the semi has a safety, yes. 
   * If the semi has no external (thumb) safety then no (remember
      this just means not having a bullet in the chamber) 
Revolver - yes.
Conceal carry? yes.

Confidential Resource: Sources & Methods for the Investigator  (http://www.confidentialresource.com/ @locuscommunis on twitter) explains that:

Experienced shooters always refer to the 'condition' to describe the pistol's state or readiness to fire. A proficient gun handler will usually keep the pistol in Condition One or Four. Institutions that know their people are incompetent will often dictate Condition Three to avoid negligent discharges in administrative handling.

• Condition Four: Chamber empty, empty magazine, hammer down.

• Condition Three: Chamber empty, full magazine in place, hammer down (Israeli carry).

• Condition Two: A round chambered, full magazine in place, hammer down (extremely dangerous, especially with SA pistol).

• Condition One: With Single Action: a round chambered, full magazine in place, hammer cocked, safety on. With striker fired pistol: a round chambered, full magazine in place, striker at ready position. With Traditional Double Action (TDA), DAO, or LEM: a round chambered, full magazine in place, hammer at ready.

• Condition Zero: A round chambered, full magazine in place, hammer cocked, safety off.

Best video series I have ever seen on guns is:
MAGPUL DYNAMICS THE ART OF THE DYNAMIC HANDGUN YOUTUBE overview available on Amazon.

And before I leave today can I just add this one little bit of information...? A pet peeve is someone who writes a silent shot with a silencer. Shooting with a silencer removes the sound and light to a distance that makes it easier to shoot without flinch (my target paper is always so pretty when I shoot with a silencer) but it IS NOT SILENT! 

LINK Nottoway Shooting Sports

See how this article influenced my plot lines in my novella MINE and my novel CHAOS IS COME AGAIN.

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Thank you so much for stopping by. And thank you for your support. When you buy my books, you make it possible for me to continue to bring you helpful articles and keep ThrillWriting free and accessible to all.

F.A.T.S. No, It's Not Another Diet, Information for Writers

Image via WikipediaCharacter Designation: Some good guys, maybe a hero, definitely some bad guys…

Character descriptions:
Okay. This is a little tricky. I would love to present a hero figure to you today. I know there were some in the room. I don’t have a clue who they were. I don’t know their names. I can’t even remember if they introduced themselves. Someone was tall-ish; someone was round-ish. There may have been some others, and there may not have been. I was in F.A.T.S. training. It was a simulator to train officers in using firearms, and I had tunnel vision from the second I went through the door.

Writers: If you think a witness is going to be with it and take in bunches of information, I would suggest that this would have to be a highly trained person. I have some training, and I’ve got almost nothing in the way of useful detail.

We went into a classroom, yup - just a normal classroom with a screen and a black plywood cutout. I remember this cutout vividly, because I did a lot of hiding there behind it. Seems that, training or no, my body reflexively wanted to duck. The two people I shot next to didn’t seem to have this reflex and stood square on while they were being shot at. Hmmm. Maybe they're not watching the same movies I am.

 (Photo credit: Wikipedia)

We were given guns and cartridges. No real bullets. I’m not sure of the technology that allows the screen to analyze your every move, but it does. I was the little number 8 bubble that wavered on the screen when we did the play back. We used Glocks. Now, I shoot a Springfield 9 mm. and a Glock doesn’t feel much different except that we had extended clips. This forced me to change my grip. I broke my wrist punching through concrete at a Tae Kwon Do testing, but that’s a different story for a different day, (Link to the story) and my right wrist never regained all of its strength. I say that with modesty because my right wrist never was very strong. I prefer to kick - I have long legs, and I want to be out of the bad guys reach. Reach in the F.A.T.S. scenario is not an issue. This fight is all about the gun. And my gun was now held slightly to the left of bulls-eye, sandwiched by my hands 

 (Photo credit: Wikipedia)

First scenario:
We were shown a scene of an airport. A guy was being patted 
down. Some people were moving through the area. A silver haired man about six feet tall came around a barrier and shot at me. Well, us. But it felt very personal. Someone was shooting at me! I dropped behind the barrier. I was the yeller for the group. “Police! Drop your weapon!” All the stupid lines from the movies came back to me. I’m shooting wildly as I’m yelling absurdities. I don’t know what. It could have been, “No you’re not getting up from the table until you eat your peas.” Really. I knew my mouth was moving. I was yelling. But in my head, I was incoherent.

My bullet took him down. I know this because on the play back the little #8 bubble turned red when I shot him in the head. Red is a fatal shot. And then, inexplicably, when his body draped over the table, I kept shooting him in the leg with a bunch of yellow (non-vital hit) indicators.

I had to take off my jacket. It was getting hot in here! Whew! The instructors came over. Okay, now I remember - the guy was much taller than me. 6’2”?   6’3”? Salt and pepper hair. Very calm voice. He adjusted my finger on the trigger to help me straighten out the shot from my floppy right wrist.

Second Scenario: 

(Photo credit: Wikipedia)

We were called to a school. We wound our way through the corridors to the library where a teen-aged boy held two females at the end of a knife. Now, if I were held at the end of a knife with a short bookcase between me and the knife-wielding dude, I wouldn’t just stand there and look frightened, I’d get the heck out of there. Just sayin’. Anyway, in we go. I’m the yeller. “Police. Put your knife down and your hands in the air.” Guy looks over. He's scared. He’s young. All he wants is a way out and to save some face. He knows what he’s doing is stupid - he just can’t think his way through this. He has tunnel vision. I have my gun aimed at him. It’s a close open shot. Of course, I don’t take it. Those girls aren’t really in harms way. They just need to walk in the other direction. 

As a one time Emergency Interventionist, working with people who have homicidal and suicidal ideations, I know I could probably talk this guy down. I need to put on my counselor hat. But no. I have a gun in my hand. I have tunnel vision on top of tunnel vision, and somehow I lost that counselor hat as I was winding my way through all those darn tunnels. There I stood like and idiot screaming, “I said put the knife down!” over and over and over again, until finally I bored the guy into submission.

Scenario three:

 (Photo credit: Wikipedia)

Is anyone else getting warm in here? Off came my sweater.

In this scenario we were in a courtroom. The camera panned around the people sitting in rows on the benches. I tried to pick out whom I thought might be dangerous. Turned out to be the prisoner. He clocked the guard that was escorting him, stole his gun, and started shooting at me. AGAIN! I got some rounds off - they only hit him in the arm as he was fleeing - maybe he could have bled out from my hits, but it would have taken hours. Maybe he’d die of an infection... eventually. Good thing my partner shot him in the head as we chased him through the park. That ended things sooner rather than later.

Scenario four:
I am sweating. My heart is beating a fast tattoo. I don’t have any more clothes to shed and still preserve modesty. I look around. There is a man in a red jacket sitting on a seat behind me, chuckling as I fluff at my t-shirt. He has grey hair too. Okay. Maybe I saw a bit more than I remembered having seen. 
      “I’m hot!” I told him. “Are there many more scenarios? I’m going to end up having to strip down.” 
     “Turn up the heat,” Round Guy says to Tall Guy. Tall Guy laughs and walks towards the thermostat. That’s all I saw of them - I was back to tunnel vision.

We were called out to a domestic dispute. As we pull up and get out of the car, a man is staggering up the driveway. He goes down. His back is covered in stab wounds. I chase the woman back in the house. She is obviously up-out-of-her-freaking-mind. Yes. That is the technical term an Emergency Interventionist would use. Yes, inexplicably, I’m the yeller again. I guess they saw what a brilliant job I did back at that library. 
      So again, “POLICE! Put the knife down. Move out into the open with your hands on your head!” Does she listen to me? No! She runs back into the bedroom and shoots at me. My hand comes up. I shoot her BOOM! dead-center in the forehead as I go down behind my little protective panel of plywood. My partners fill her dead body full of yellow #s.

And we’re done.

TAKE AWAY : Tunnel vision is very dangerous. All I could see, hear, feel, touch, think was the person with the weapon IN FRONT OF ME. Everything else, everyone else faded completely away. In a writing scenario this would mean that the bad guys could easily jockey themselves into another position. Hell. They could have walked right up beside me and pistol-whipped me in the head. Yup, that tunnel vision is a bitch and needs to be remembered when writing.

As I read this over, I notice I'm cussing a lot. Yeah - the ticker tape running at the bottom of my consciousness was pure gutter mouth. I was stringing them together like a drunken sailor. Lady-like demeanor be damned. Someone was *&#%ing shooting at me!

Even in a simulation there was a physical response. Every one of your characters should be drenched in sweat. If they’re walking away fresh as a daisy, you’ve written it wrong. They need a shower and a stiff drink.

See this article in action in my novella: MINE

Fiona Quinn's Newsletter Link, Sign up HERE

Thank you so much for stopping by. And thank you for your support. When you buy my books, you make it possible for me to continue to bring you helpful articles and keep ThrillWriting free and accessible to all.